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While such approaches have been important for problematizing hegemonic mobilizations of “home”, there may be also a hazard in studying motion as constitutive of the (post)fashionable world. In explicit, such frameworks usually overlook the experiences of those that are forcibly displaced. Critical funding in tropes of migrancy may unwittingly recycle imperialist assumptions by producing imagined areas of alterity that serve to liberate the centred, “at home” subject at the expense of historicized experiences of homelessness. Abdulrazak Gurnahs 2001 novel By the Sea represents one such historicized experience, that of its protagonist, asylum seeker Saleh Omar. This article argues that, through its narrative investment in homes and household objects and within the importance of narrative for creating a way of house for its migrant protagonist, Gurnahs novel poses a problem to an aesthetic valorization of displacement.
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Furthermore, somewhat than figuring out an individualist funding in homelessness as a route to authorship, By the Sea posits storytelling rooted in the domestic sphere instead, restorative migrant aesthetic practice. House & Home Life Pty Ltd is an Authorised Representative of Consultum Financial Advisers Pty Ltd.
I additionally contemplate relationships between residence and work in East London, exploring how work may contribute to a way of residence in the city. I highlight the importance of objects, religious beliefs and practices in reconfiguring residence across transnational space. This thesis also addresses participants’ future houses and potentialities of return to Vietnam. Individual selections of mobility and settlement are located inside geopolitical dimensions of residence and migration. I draw upon concepts of precarity and the geopolitics of house to argue that immigration statuses, transient work and housing are intertwined with private experiences of house and can current a major barrier to belonging within the city.