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We argue that properties are positioned in Grand Designs as life-style ‘autos’. The architectural type is certainly necessary in this system; however, it’s the human tales of the owners and affective meaning of the construct which might be mobilised as narrative drivers by way of reflexive interviewing and dramatic narration. While much emotional and bodily labour is invisible in Grand Designs in comparison with other property TV programs, this chapter demonstrates how it is no less dramatic. The use of postmodern discourses of movement to analyze literary works involving migration has contributed to a valorization of displacement, which tends to be seen as each inherently resistant and creatively productive.

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My deconstruction of this phenomenon will body the metropolitan aesthetics that emerge from these processes as ‘third space’ (Bhabha 2004, fifty five-56). I will critically discuss the processes of “city meets conventional’ workshops and body them as a framework of re/production through which the youth negotiate local dance traditions and international dance types to create an embodied aesthetic throughout the locales of urbanity. I will also study how the areas where ‘urban meets conventional’ dance actions take place act as an extension of the embodied aesthetics and concrete character.