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Grand Designs operates as a powerful discursive and material site of symbolic values and practices of home-making. This chapter examines the concepts of house as offered in this system, and the methods in which these ideas are mobilised within the work of home-making. This chapter is interested in how home-making relates to values and notions of homeownership, taste, personhood and place.
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The goal of this book is to indicate the features of this culture of the home because it took form in Japan. A series of six films use historic photographs to animate the day by day duties corresponding to laundry and cooking that make a home work.
Even where the traditional class markers surrounding the house continued, they became vessels for new meanings, as housing was resituated in a brand new nexus of relations. The home as artifact and the artifacts it housed had been affected in flip. The development and decoration of homes ceased to be steady indications of their occupants’ social status, the home turned a way of non-public expression, and the act of dwelling was reconceived in terms of consumption.