While such approaches have been important for problematizing hegemonic mobilizations of “house”, there may be additionally a danger in reading movement as constitutive of the (publish)fashionable world. In specific, such frameworks usually overlook the experiences of those who are forcibly displaced. Critical funding in tropes of migrancy could unwittingly recycle imperialist assumptions by producing imagined spaces of alterity that serve to liberate the centred, “at house” subject at the expense of historicized experiences of homelessness. Abdulrazak Gurnahs 2001 novel By the Sea represents one such historicized experience, that of its protagonist, asylum seeker Saleh Omar. This article argues that, via its narrative investment in homes and household objects and in the importance of narrative for creating a way of house for its migrant protagonist, Gurnahs novel poses a challenge to an aesthetic valorization of displacement.
There’s a triptych of sunsets next to my bed room door, nightfall forever falling over the small Michigan city the place I grew up, the seashore subsequent to my college dorm and Place de la Concorde in Paris, the place I spent a clichÃ© but nonetheless joyful semester. Typographic posters of Michigan and Chicago hang above my mattress, a photograph of taxis zooming round Manhattan sits atop my dresser and a postcard of my hometown’s well-known water tower is taped to my door. My roommate and I actually have a complete wall in our kitchen plastered with maps of locations we’ve been, and twin Ferris wheels, one at Navy Pier, one at Place de la Concorde, are stacked on prime of one another in my lounge.
It contributes to a rising body of labor inside geographies of home, as well as furthering research on mobility and the town in super-various contexts. The examine attracts upon semi-structured interviews with participants who’ve migrated from Vietnam to East London underneath numerous circumstances, together with individuals who arrived as refugees after the Vietnam War and other individuals who have migrated for work or training lately. The analysis has also involved visual strategies and ethnography in participants’ homes, workplaces and other urban spaces. The examine situates house as a multi-scalar, materials and imaginative concept, set of practices and emotions.
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The House Cardigan
As Bollig explains, “They have considerably more attachment to the imeito, the ancestral home of the family, during which the parents lived and in the vicinity of which they’re buried. The younger generations wish to build their little houses on the positioning of an old, ruined imeito” (ibid).