While such approaches have been necessary for problematizing hegemonic mobilizations of “home”, there’s additionally a danger in studying movement as constitutive of the (publish)trendy world. In explicit, such frameworks usually overlook the experiences of those that are forcibly displaced. Critical investment in tropes of migrancy might unwittingly recycle imperialist assumptions by producing imagined spaces of alterity that serve to liberate the centred, “at home” topic at the expense of historicized experiences of homelessness. Abdulrazak Gurnahs 2001 novel By the Sea represents one such historicized experience, that of its protagonist, asylum seeker Saleh Omar. This article argues that, via its narrative funding in homes and household objects and within the significance of narrative for creating a sense of house for its migrant protagonist, Gurnahs novel poses a problem to an aesthetic valorization of displacement.
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