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A burgeoning cross-disciplinary literature signifies a move in the direction of diversifying understandings of the meanings of ‘home’. While earlier work has thought of meanings of homelessness, attempts to advance understandings of the connection between house and homelessness have been sporadic.
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Even the place the traditional class markers surrounding the home persisted, they turned vessels for brand new meanings, as housing was resituated in a new nexus of relations. The home as artifact and the artifacts it housed have been affected in flip. The construction and ornament of houses ceased to be secure indications of their occupants’ social standing, the home turned a means of non-public expression, and the act of dwelling was reconceived by way of consumption.
Since the mid-1980s, a number of Indian girls novelists have enriched mainstream English literature with stories of educated, middle-class, Indian girls migrating to and settling in North America. The novels assert that by migrating to North America, the protagonists have been able to find ‘freedom’. In this paper, I question whether worldwide migration essentially leads to ‘freedom’ for this cohort of Indian women and argue that it their histories and experiences of subjugation and emancipation usually are not essentially in binary opposition, and that there could also be an area for multiplicity. Based on their changing power positions, the respondents were positioned concurrently at the centre and at the margins in their own properties, at work and at the places of socialisation.