house and home

This thesis evaluates the colonial productions and contestations of Puerto Rican public housing and its residents as urban ‘others’. The analysis introduced emphasizes the symbolic battle and material reality embedded in Las Gladiolas’s group politics which resists and disrupts a homogeneous vision of previous, present and future city house.

The neo-liberal financial insurance policies, which had been instituted in Uganda in the late 1980s, opened up the creative financial system centered on urban artistry and cultural innovation. As a results of free circulate of global cultural ideas, native inter-ethnic human migration, and actions of dance traditions, city youth creatives have carved out inventive spaces in city areas to create a metropolitan dance aesthetic, which is neither national or ethnic. Urban meets traditional are months dance workshops which might be carried out in some venues within the metropolis the place the youth learn ethnic dances from native grasp teachers of those … Read More

house and home

The neo-liberal economic policies, which were instituted in Uganda within the late Nineteen Eighties, opened up the creative economic system centered on city artistry and cultural innovation. As a results of free move of global cultural ideas, local inter-ethnic human migration, and actions of dance traditions, city youth creatives have carved out creative spaces in urban areas to create a metropolitan dance aesthetic, which is neither nationwide or ethnic. Urban meets conventional are months dance workshops which might be performed in some venues within the metropolis the place the youth be taught ethnic dances from native grasp lecturers of these dances. The youth then fuse this dance materials with methods and movements of dance types corresponding to hip-hop, dancehall and Afro-house to create new kinesthetic material as individuals and a neighborhood.

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Recruitment was focused in the direction of individuals dwelling in single room … Read More

house and home

While such approaches have been important for problematizing hegemonic mobilizations of “home”, there is also a danger in reading motion as constitutive of the (publish)modern world. In specific, such frameworks often overlook the experiences of those who are forcibly displaced. Critical investment in tropes of migrancy may unwittingly recycle imperialist assumptions by producing imagined spaces of alterity that serve to liberate the centred, “at house” topic on the expense of historicized experiences of homelessness. Abdulrazak Gurnahs 2001 novel By the Sea represents one such historicized experience, that of its protagonist, asylum seeker Saleh Omar. This article argues that, by way of its narrative funding in houses and household objects and in the significance of narrative for creating a sense of home for its migrant protagonist, Gurnahs novel poses a problem to an aesthetic valorization of displacement.

Photographs complementing the models present how Americans used concepts from these famous buildings to … Read More