My deconstruction of this phenomenon will body the metropolitan aesthetics that emerge from these processes as ‘third space’ (Bhabha 2004, fifty five-fifty six). I will critically discuss the processes of “city meets traditional’ workshops and body them as a framework of re/manufacturing via which the youth negotiate native dance traditions and world dance types to create an embodied aesthetic inside the locales of urbanity. I will also look at how the spaces the place ‘urban meets conventional’ dance actions happen act as an extension of the embodied aesthetics and concrete character.
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